WJEC AS-Level Media Studies 603-1976-8
Contexts of Media
Media Language
Media Representations
Media Industries
Media Audiences
Advertising, Marketing and Music Video
News in the Online Age
Film Industries: From Wales to Hollywood
Creating Media Productions
Creating Media Productions
- 12 subtopics
- 36 things to know
- AS Unit 2 and A2 Unit 4
What Creating Media Productions covers
Creating Media Productions is examined in AS Unit 2 and A2 Unit 4, the two production units. It covers researching the codes and conventions of a form, audience research and defining a target audience, analysing comparable products: genre and competitor research, investigative research and the development outline, treatments, storyboards, scripts and flat plans, schedules, shot lists and risk assessment, production in audio-visual, print and online form, working to a brief, applying media language to construct a representation, original material, copyright and ethics, independent, collaborative and cross-media production and reflective and critical analysis.
Where it is assessed
AS Unit 2 and A2 Unit 4
The two production units, the second worked across more than one media form.
Check the WJEC specification ↗The 12 subtopics
Each one has its own page. WJEC AS Media Studies students sit this topic in the first year.
- Researching the codes and conventions of a formConventions of a media form, difference between researching a convention and copying an existing product and subgenre convention.Open →
- Audience research and defining a target audienceTarget audience of a production, four demographic categories used to define an audience and primary research.Open →
- Analysing comparable products: genre and competitor researchComparable product, competitor research and what is meant by a gap in the market.Open →
- Investigative research and the development outlineInvestigative research in the development of a production, what a development outline contains and research finding becoming a production decision.Open →
- Treatments, storyboards, scripts and flat plansShooting script, what a grid does in page design and what a wireframe shows.Open →
- Schedules, shot lists and risk assessmentWhat a production schedule sets out, shot list and purpose of a call sheet.Open →
- Production in audio-visual, print and online formMatch on action, ambient sound used for in an edit and bleed in page layout.Open →
- Working to a briefWhat a production brief contains and purpose element of a brief.Open →
- Applying media language to construct a representationRecall questions on camera angle, lighting, costume, typeface, framing, editing pace, music and colour as deliberate representational choices, avoiding an unintended stereotype, positioning the audience through form, making a representation specific rather than generic, and writing the intended meaning of each choice down at the planning stage.Open →
- Original material, copyright and ethicsOriginal material in a production, what is meant by the public domain and royalty-free music.Open →
- Independent, collaborative and cross-media productionCross-media production and main risk of collaborative work.Open →
- Reflective and critical analysisFirst thing a finished production should be measured against and preferred reading of a producer's own product.Open →
What you need to know
Answer each one before you reveal it.
Give the main steps of carrying out a risk assessment.
Why does a producer research a form's conventions before making a product in it?
Define the target audience of a production.
Why analyse several comparable products rather than one?
Define a treatment.
What changes for a producer moving from print work to audio-visual work?
State what a production brief contains.
How does the choice of camera angle construct a representation of a person?
What is meant by original material in a production?
Define a cross-media production.
State what a reflective analysis does.
What is the difference between researching a convention and copying an existing product?
Name four demographic categories used to define an audience.
Explain what is meant by a gap in the market.
Which three media concepts can investigative research be focused on?
What does a storyboard show?
State what a production schedule sets out.
Why is continuity a problem in audio-visual production but not in print?
Why does working to a brief make a production more realistic rather than less creative?
How can lighting be used to represent a place as threatening?
Define copyright.
Why should a cross-media set not simply repeat the same content in two forms?
Why is a reflective analysis not an account of what happened during the work?
Name three features to record when researching the front cover of a magazine.
Define psychographics.
Why does genre research need examples from more than one period?
Why is investigative research focused on one concept rather than all of them?
Explain what a grid does in page design.
Define a shot list.
What is the 180-degree rule, and why does a producer keep to it?
What is the purpose element of a brief?
How does the choice of typeface contribute to representation on a magazine cover?
Which Act governs copyright in the United Kingdom?
Explain what synergy means in a cross-media production.
What is the first thing a finished production should be measured against?
Take Creating Media Productions further
The same content, four other ways.
Commonly confused
Pairs that lose marks when they are blurred together.
Primary research vs Secondary research
Primary research: data the producer gathers directly for this production. Secondary research: data gathered by somebody else and reused.
Quantitative data vs Qualitative data
Quantitative data: counting how many people do or think something. Qualitative data: explaining why they do, in their own words.
A treatment vs A storyboard
A treatment: a short prose description of the whole proposed product. A storyboard: a frame-by-frame plan of the shots.
Questions from this topic
Each one with the model answer underneath.
- 1
What is meant by the conventions of a media form?
Model answer
Conventions are the features an audience expects to find in that form, such as a masthead and cover lines on the front of a magazine.
- 2
Why does a producer research a form's conventions before making a product in it?
Model answer
An audience recognises a product by its conventions, so a product that ignores them looks amateur or is mistaken for something else entirely.
- 3
What is the difference between researching a convention and copying an existing product?
Model answer
Researching a convention identifies the underlying rule so it can be applied to new content, while copying reproduces one product's particular solution.
- 4
Name three features to record when researching the front cover of a magazine.
Model answer
The masthead, the cover lines and the main cover image are three features to record.
- 5
What should be recorded when researching the conventions of a music video?
Model answer
The balance of performance, narrative and concept material, the editing pace, the relationship of image to lyrics and the way the artist is presented.
- 6
Why is it useful to research products that failed as well as ones that succeeded?
Model answer
A failed product shows which conventions an audience will not accept being broken, which a successful product cannot demonstrate.
What is inside Levo
Six ways to work the same material.
Creating Media Productions revision questions
- Is Creating Media Productions examined at AS in WJEC Media Studies?
- Yes. It sits in AS Unit 2 and A2 Unit 4, which you take in the first year, so it is on the AS paper as well as counting towards the full A level.
- What does Creating Media Productions cover in WJEC AS-Level Media Studies?
- 12 subtopics: researching the codes and conventions of a form, audience research and defining a target audience, analysing comparable products: genre and competitor research, investigative research and the development outline, treatments, storyboards, scripts and flat plans, schedules, shot lists and risk assessment, production in audio-visual, print and online form, working to a brief, applying media language to construct a representation, original material, copyright and ethics, independent, collaborative and cross-media production and reflective and critical analysis. Each one has its own page with questions and model answers.
- How is Creating Media Productions organised?
- By the WJEC 603-1976-8 specification, subtopic by subtopic, so it matches the order you are taught it in.
Every question in Creating Media Productions, on a schedule.
Attempt a question from memory, write the correct version, then attempt it again. Levo records the jump between your first attempt and your last, and brings each question back on the day you are due to forget it.
Or £46 a year, about £3.83 a month. Cancel anytime.