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The Culture and Politics of Athens, c.460–c.399 BC

Acropolis sculpture and the sanctuaries of Attica

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Overview

Recall questions on the Parthenon pediments, metopes and frieze and how they are interpreted, the Athena Promachos, the Severe Style, Polyclitus' Doryphoros and contrapposto, the temple of Poseidon at Sounion, the bears of Artemis at Brauron, and why Athens built sanctuaries across Attica.

What you need to know

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Key term

Name the subjects shown on the Parthenon metopes.

Key term

Give one alternative interpretation of the Parthenon frieze.

Key term

What difficulties face anyone interpreting the Parthenon sculptures?

Questions from this subtopic

Each one with the model answer underneath.

  1. 1

    State what was carved on the two pediments of the Parthenon.

    Model answer

    The east pediment showed the birth of Athena from the head of Zeus and the west the contest between Athena and Poseidon for possession of Attica.

  2. 2

    Name the subjects shown on the Parthenon metopes.

    Model answer

    Greeks fighting centaurs, gods fighting giants, Greeks fighting Amazons and the sack of Troy, one theme to each side of the building.

  3. 3

    How are the Parthenon metopes usually interpreted?

    Model answer

    As mythical versions of the Persian Wars, in which order and civilisation defeat violence and barbarism, with Athens standing on the winning side.

  4. 4

    Describe the subject most commonly identified in the Parthenon frieze.

    Model answer

    It is generally read as the Panathenaic procession, with horsemen, elders, musicians and sacrificial animals converging on a scene of the goddess's robe above the entrance.

  5. 5

    Why is the Parthenon frieze considered so remarkable in its choice of subject?

    Model answer

    Temple sculpture normally showed gods and heroes, but this frieze appears to show the Athenian people themselves, placing living citizens in the company of the gods.

  6. 6

    Give one alternative interpretation of the Parthenon frieze.

    Model answer

    Some scholars read the central scene as a moment from Athenian myth, the sacrifice demanded of the daughters of the early king Erechtheus, rather than a contemporary ceremony.

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AThe tradition speaks of about seventy.
BOnly around twenty can be identified with any confidence.
CThe number is a measure of his reputation rather than a count.

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Themistocles was ostracised in the 470s BC and Cimon in 461 BC.
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