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The Flavians, AD 68–96

The Flavian building programme in Rome

  • 2 things to know
  • Component Group 2

Overview

Recall questions on the Temple of Peace, the Flavian Amphitheatre's builders, site, funding and seating, Domitian's palace by Rabirius, stadium, concert hall and forum, the Arch of Titus, the temples of the deified Vespasian and Titus and of the Flavian family, building in the provinces and as propaganda, Plutarch on the Capitoline temple, and the Chronicle of 354.

What you need to know

Answer each one before you reveal it.

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Key term

State who built the Flavian Amphitheatre and over what period.

Key term

What did the seating arrangements inside the amphitheatre express?

Questions from this subtopic

Each one with the model answer underneath.

  1. 1

    Describe the Temple of Peace and what it held.

    Model answer

    A great precinct dedicated by Vespasian in AD 75, paid for from the spoils of the Jewish war and displaying the treasures taken from the Temple in Jerusalem along with Greek masterpieces, a library and gardens.

  2. 2

    What message did a monument to Peace convey after AD 69?

    Model answer

    That the dynasty had ended both foreign war and civil war, and that the benefits of victory were being given back to the Roman people as a public amenity.

  3. 3

    State who built the Flavian Amphitheatre and over what period.

    Model answer

    Vespasian began it in the early seventies, Titus dedicated it in AD 80, and Domitian completed the upper level and the underground works.

  4. 4

    Why was the site of the amphitheatre politically pointed?

    Model answer

    It stood on the ornamental lake of Nero's Golden House, so ground a tyrant had seized for his private pleasure was given back to the people as a public building.

  5. 5

    What does the reconstructed dedication of the amphitheatre reveal about its funding?

    Model answer

    That it was paid for out of the general's share of the spoils, which means the conquest of Judaea financed the greatest public building of the dynasty.

  6. 6

    What did the seating arrangements inside the amphitheatre express?

    Model answer

    Spectators, perhaps around fifty thousand of them, were seated strictly by rank, with senators at the front and women and the poor at the top, so the building displayed the social order of Rome.

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AThe tradition speaks of about seventy.
BOnly around twenty can be identified with any confidence.
CThe number is a measure of his reputation rather than a count.

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Themistocles was ostracised in the 470s BC and Cimon in 461 BC.
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