OCR A-Level Media Studies H409
Contexts of Media
Media Language
Media Representations
Media Industries
Media Audiences
News, Online and Participatory Media
Advertising, Marketing and Magazines
Music Video
Film, Radio and Video Games
Long Form Television Drama
Media Audiences
- 16 subtopics
- 45 things to know
- Components 01 and 02
What Media Audiences covers
Media Audiences is examined in both written papers — the four areas of the theoretical framework and the contexts run through every section of the course, and are applied to whichever set products a centre has chosen. It covers demographics, social grade and audience profiling; psychographics and lifestyle categories; targeting, mode of address and the constructed audience; marketing, distribution and circulation as routes to the audience; mass, specialised, niche and fan audiences, nationally and globally; and changing patterns of consumption. It also covers uses and gratifications and cultural capital, the effects tradition and moral panics, Bandura's social learning theory, Gerbner's cultivation theory and mean world syndrome, Stuart Hall's encoding and decoding, Jenkins on textual poaching and participatory culture, Shirky on the end of audience and cognitive surplus, how social, cultural and historical circumstances shape readings, and user-generated content and citizen journalism.
Where it is assessed
Components 01 and 02
The framework and the contexts are applied across both written papers.
Check the OCR specification ↗The 16 subtopics
Each one has its own page.
- Demographics, social grade and audience profilingRecall questions on demographics and target audiences, the National Readership Survey social grades from A to E and the ABC1 grouping, media packs and advertising rates, ratings data, and the audience sold as a commodity.Open →
- Psychographics, lifestyle and taste categoriesRecall questions on psychographics and how they differ from demographics, the Mainstreamer, Aspirer, Succeeder, Explorer, Reformer, Resigned and Struggler of the 4Cs typology, taste cultures, and the weaknesses of lifestyle categories.Open →
- Targeting, mode of address and the constructed audienceRecall questions on mode of address and direct address, interpellation and audience positioning, inclusive language and brand identity, how a product constructs its audience, and the audience as described by ratings and analytics.Open →
- Marketing, distribution and circulation as routes to the audienceRecall questions on distribution and circulation, teaser campaigns and trailers, synergy and cross-media promotion, viral and influencer marketing, release windows and day-and-date release, targeted digital advertising and exclusive content.Open →
- Mass and specialised audiences, nationally and globallyRecall questions on mass and specialised audiences, narrowcasting and the long tail, public service obligations to minorities, diaspora audiences, geo-blocking and glocalisation, travelling formats, and subtitled drama on streaming services.Open →
- Niche and fan audiences and their value to media organisationsRecall questions on niche audiences and fandom, how fans generate revenue and market a product unpaid, brand loyalty, cult texts, hidden details for close viewers, fan feedback as research, and why retention matters to subscription services.Open →
- Media technologies and changing patterns of consumptionRecall questions on convergence and smartphones, time-shifting, on-demand viewing and binge-watching, second screening and live hashtags, algorithmic recommendation, filter bubbles and echo chambers, consumption data and podcasting.Open →
- Uses and gratifications, identity and cultural capitalRecall questions on the uses and gratifications approach, Blumler and Katz's diversion, personal relationships, personal identity and surveillance, criticisms of the approach, cultural and subcultural capital, and media consumption as identity work.Open →
- The effects tradition, the hypodermic model and moral panicsRecall questions on the hypodermic needle model, desensitisation and catharsis, two-step flow and opinion leaders, reinforcement, agenda setting, moral panics, folk devils and deviancy amplification, and Gauntlett's critique of the effects model.Open →
- Bandura, social learning and media modellingRecall questions on Bandura's social learning theory, observational learning and its four processes, vicarious reinforcement, the Bobo doll study and its criticisms, direct and socially mediated pathways of influence, and copycat violence.Open →
- Gerbner, cultivation and mean world syndromeRecall questions on Gerbner's cultivation theory, content analysis and heavy viewers, mean world syndrome, mainstreaming and resonance, first-order and second-order effects, how it differs from the hypodermic model, and its criticisms.Open →
- Hall, encoding, decoding and the three reader positionsRecall questions on Stuart Hall's encoding and decoding model, preferred meaning, the dominant-hegemonic, negotiated and oppositional positions applied to advertising and news, Morley's audience study, and the criticisms of the model.Open →
- Jenkins, textual poaching and participatory cultureRecall questions on Jenkins's textual poaching and its debt to de Certeau, participatory culture, collective intelligence and fan wikis, convergence as a cultural process, transmedia storytelling, spreadable media, fan fiction, and the criticisms of his account.Open →
- Shirky, the end of audience and cognitive surplusRecall questions on Shirky's end of audience argument, filter then publish and publish then filter, mass amateurisation and its four motivations, cognitive surplus and Wikipedia, and the challenges of participation inequality, the digital divide and Curran and Seaton.Open →
- Different readings and their social, cultural and historical circumstancesRecall questions on interpretive communities, how class, culture, generation and nation shape readings, why older products can read as offensive, reading historically, aberrant readings and satire, audience testing, and the limits of media power.Open →
- User-generated content, citizen journalism and the audience as producerRecall questions on user-generated content and prosumers, the strengths and weaknesses of citizen journalism, weakened gatekeeping and verification, crowdsourcing, live audience participation, hashtag activism, and independent creators' reliance on platforms.Open →
What you need to know
Answer each one before you reveal it.
Describe the Succeeder in the 4Cs typology.
Explain how cultural capital shapes a person's media use.
Describe the deviancy amplification spiral.
What is mean world syndrome?
What does Shirky say has happened to the predictability of audience behaviour?
How does audience participation change the economics of a media product?
Name the three demographic categories media industries most commonly use to group an audience.
What is meant by mode of address?
What is meant by distribution in relation to reaching an audience?
Define a mass audience.
Define a niche audience.
Define technological convergence.
What is observational learning?
Define decoding.
Why is poaching a more accurate word than borrowing for what fans do?
Why can two people take entirely different meanings from the same media product?
Which occupations fall into social grade A?
Explain how a product can construct an audience rather than simply reach one.
What is circulation?
Define a specialised audience.
Distinguish a fan from a casual consumer.
Explain the effect of time-shifting on the power of a broadcast schedule.
Name the four gratifications identified by Blumler and Katz.
Give two reasons the hypodermic model is now rejected by most researchers.
Name the four processes involved in learning a behaviour by observation.
What research method did Gerbner use to identify the patterns in television output?
What is a preferred meaning?
Define participatory culture.
What has most changed about the relationship between members of an audience?
What is an interpretive community?
Define user-generated content.
Define the social grades C1 and C2.
What are psychographics?
How would the mode of address of a children's channel differ from that of a late-night current affairs programme?
What is a teaser campaign?
What is narrowcasting?
What is a cult text?
Define on-demand consumption.
What is diversion as a gratification?
What does Gauntlett argue is wrong with the starting point of the effects model?
Name the two pathways by which Bandura argues media influence reaches people.
Explain why heavy viewing is said to produce mean world syndrome.
Name the three reading positions Hall identifies.
Explain how a fan wiki demonstrates collective intelligence.
Take Media Audiences further
The same content, four other ways.
Commonly confused
Pairs that lose marks when they are blurred together.
Cultivation vs Hypodermic model
Cultivation: the slow, cumulative shaping of a heavy viewer's sense of what the real world is like, built from patterns repeated across years of television. Hypodermic model: The claim that a media message is injected directly into a passive audience, who all receive it in the same way and act on it.
Uses and gratifications vs Reception theory
Uses and gratifications: the active-audience approach arguing that people choose media to satisfy needs of their own: surveillance, personal identity, social interaction and diversion. Reception theory: Hall's account of how an audience decodes an encoded message, taking a dominant, negotiated or oppositional position towards the meaning the producer intended.
Demographics vs Psychographics
Demographics: groupings of an audience by measurable social facts such as age, gender, income, occupation, education and region, describing who a person is. Psychographics: Groupings of an audience by attitudes, values, aspirations, personality and lifestyle, describing what a person believes, what they want and how they choose to live.
Questions from this topic
Each one with the model answer underneath.
- 1
What does the term demographics mean when a media organisation profiles its audience?
Model answer
Demographics are the measurable social characteristics used to sort an audience into groups, such as age, gender, social class, income, education, occupation, ethnicity and region.
- 2
Name the three demographic categories media industries most commonly use to group an audience.
Model answer
Age, gender and social class are the three categories used most commonly.
- 3
What is the National Readership Survey social grade system?
Model answer
It is a classification that places a household in grade A, B, C1, C2, D or E according to the occupation of its chief income earner.
- 4
Which occupations fall into social grade A?
Model answer
Grade A covers higher managerial, administrative and professional occupations.
- 5
Define the social grades C1 and C2.
Model answer
C1 covers supervisory, clerical and junior managerial workers, and C2 covers skilled manual workers.
- 6
Which groups make up social grade E?
Model answer
Grade E covers casual and lowest-grade workers, state pensioners and people dependent on state benefits.
What is inside Levo
Six ways to work the same material.
Media Audiences revision questions
- What does Media Audiences cover in OCR A-Level Media Studies?
- 16 subtopics: demographics, social grade and audience profiling, psychographics, lifestyle and taste categories, targeting, mode of address and the constructed audience, marketing, distribution and circulation as routes to the audience, mass and specialised audiences, nationally and globally, niche and fan audiences and their value to media organisations, media technologies and changing patterns of consumption, uses and gratifications, identity and cultural capital, the effects tradition, the hypodermic model and moral panics, bandura, social learning and media modelling, gerbner, cultivation and mean world syndrome, hall, encoding, decoding and the three reader positions, jenkins, textual poaching and participatory culture, shirky, the end of audience and cognitive surplus, different readings and their social, cultural and historical circumstances and user-generated content, citizen journalism and the audience as producer. Each one has its own page with questions and model answers.
- How is Media Audiences organised?
- By the OCR H409 specification, subtopic by subtopic, so it matches the order you are taught it in.
Every question in Media Audiences, on a schedule.
Attempt a question from memory, write the correct version, then attempt it again. Levo records the jump between your first attempt and your last, and brings each question back on the day you are due to forget it.
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