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Media Representations

Codes, concepts and shared conceptual maps

  • 3 things to know
  • Components 1 and 2

Overview

Hall's proposition about concepts and signs, colour code and its cultural limits and negotiated reading.

What you need to know

Answer each one before you reveal it.

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Key term

State Hall's proposition about concepts and signs.

Key term

Why is the link between a sign and a concept described as arbitrary?

Key term

What does a code do in Hall's account?

Questions from this subtopic

Each one with the model answer underneath.

  1. 1

    State Hall's proposition about concepts and signs.

    Model answer

    Hall argued that codes govern how a concept and a sign are linked. Codes fix the tie between an idea and its sign.

  2. 2

    Why is the link between a sign and a concept described as arbitrary?

    Model answer

    Most signs bear no natural resemblance to what they mean. Convention alone attaches the word tree to the idea of a tree.

  3. 3

    What does a code do in Hall's account?

    Model answer

    A code holds the relationship between concept and sign stable across a culture. Codes are learned rather than natural.

  4. 4

    How are codes learned?

    Model answer

    Codes are absorbed through upbringing, education and media exposure. Familiarity makes a learned convention feel obvious.

  5. 5

    Why can codes change over time?

    Model answer

    Cultural attitudes shift and the meaning attached to a sign moves with them. A representation acceptable in one decade can be unreadable in another.

  6. 6

    Give an example of a colour code and its cultural limits.

    Model answer

    Black connotes mourning across much of Europe. White carries the same meaning in parts of East Asia.

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AWoman's Hour began on the BBC Light Programme in 1946.
BThe Light Programme became Radio 2 in 1967.
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