Eduqas A-Level Sociology A200QS
Culture and the Social Construction of Culture
Socialisation and Its Agencies
Socialisation and Identity
Option: Families and HouseholdsFamilies
Option: Youth CulturesYouth cultures
Option: EducationEducation
Option: MediaMedia
Option: ReligionReligion
Research Methods: Primary and Secondary
Sampling, Ethics and Practical Issues
Key Concepts and Theories of Research
Social Inequality: Evidence and Patterns
Theories and Explanations of Inequality and Stratification
Option: Crime and DevianceCrime
Option: Health and DisabilityHealth
Option: PoliticsPolitics
Option: World SociologyWorld sociology
Option: Media
Representations of social class and age in the media
- 3 things to know
- Component 1 Section C
Overview
Poverty porn in television criticism and grey pound and how has it changed representation.
What you need to know
Answer each one before you reveal it.
How did Nairn analyse coverage of the monarchy?
What did Jones argue in Chavs?
Questions from this subtopic
Each one with the model answer underneath.
- 1
How are the very wealthy typically represented in British media?
Model answer
Newman argued in 2006 that the media concentrate on the lifestyles and consumption of the rich. Wealth is presented as glamorous and deserved rather than as a social relationship.
- 2
How did Nairn analyse coverage of the monarchy?
Model answer
Nairn argued in The Enchanted Glass in 1988 that media treatment of the royal family sustains deference. The monarchy is presented as an ordinary family and as uniquely special at the same time.
- 3
What did Jones argue in Chavs?
Model answer
Jones argued in 2011 that British media had made the working class an object of ridicule. The chav caricature reframed poverty as a matter of taste and personal failure.
- 4
What is meant by poverty porn in television criticism?
Model answer
Poverty porn describes documentary formats that present life on benefits as entertainment. Critics argue that selective casting and editing invite judgement rather than understanding.
- 5
How do Curran and Seaton describe the treatment of working-class audiences?
Model answer
Curran and Seaton argued in Power Without Responsibility in 2003 that the popular press addresses working-class readers through entertainment and scandal. Serious political coverage was found to be concentrated in titles read by the affluent.
- 6
How are trade unions and strikes typically framed?
Model answer
The Glasgow University Media Group found that industrial disputes are reported as disruption to the public. Strikers are asked to justify themselves while employers explain the economic cost.
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